The Rape of the Masters How Political Correctness Sabotages Art
Political correctness
Related: bias - ceremonious rights - class - feminism - gender - language - racism - representation - sexism - Sapir-Whorf hypothesis - thought - terms of corruption
Definition
Political correctness is a term used to advocate broad social, political, and educational change, particularly to redress historical injustices in matters such equally race, class, gender, and sexual orientation. Critics of political correctness perceive the practice every bit existence overconcerned with such alter, often to the exclusion of other matters. The terms "politically correct" or "P.C." are also used. Some have suggested that the adherents of these linguistic changes are concerned with, in many cases, their acceptance of some grade of linguistic relativism (east.g., the Sapir-Whorf Hypothesis), the idea that linguistic communication influences idea and culture, or even--in some sense--that it constitutes reality itself. However that is, advocates of these language changes are agreed that the proposed changes are designed mainly to treat others with respect by not using terminology that offends them. --http://en.wikipedia.org/wiki/Political_correctness [Jan 2004]Nineteen Lxxx-4 every bit example of political correctness
George Orwell'southward novel Xix 80-Four holds the best-known fictional instance of politically-driven linguistic communication change. Newspeak, a bowdlerized form of English, is designed to make it impossible to limited opposition to the totalitarian Party government. Expressing dissident thoughts, or thoughtcrime, becomes impossible; while the deed of making self-contradicting excuses for the ruling powers, or doublethink, is coded into the language itself.
This is representative of the politically correct enforced speech communication which were utilized, and have helped plant totalitarian governments such every bit the ones in Germany, Italy, Russian federation, and China; where any class of deviation from the language standard would be punished with imprisonment and fifty-fifty execution.
Newspeak is Orwell's best-known criticism of political obfuscation, only non his just ane. In the essay "Politics and the English Linguistic communication", Orwell institute fault with writers who conceal meaning in long and pompous phrases. --http://en.wikipedia.org/wiki/Political_correctness#Orwell [Jun 2006]
See besides: 19 Eighty-Four
The Rape of the Masters: How Political Correctness Sabotages Art (2004) Roger Kimball
The Rape of the Masters: How Political Correctness Sabotages Art (2004) Roger Kimball [Amazon.com] [FR] [DE] [UK]
First sentence:
"YOU Tin PROBABLY retrieve several paintings by Gustave Courbet (1819-1877), the French artist who emerged as the leader of the Realist schoolhouse of painting in..."
Volume Clarification
Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this witty and provocative book, the educatee is less probable to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' swell painting Drunken Silenus is an allegory about anal rape. Or that Courbet'south famous hunting pictures are psychodramas about "castration anxiety." Or that Gauguin'south Manao tupapau is an example of the style repression is "written on the bodies of women." Or that Jan van Eyck's masterful Arnolfini Portrait is about "center-grade deceptions ... and the treatment of women." Or that Mark Rothko'south abstruse White Band (Number 27) "parallels the pictorial structure of a pieta." Or that Winslow Homer'south The Gulf Stream is "a visual encoding of racism." In "The Rape of the Masters: How Political Correctness Sabotages Art," Kimball, a noted fine art critic himself, shows how academic art history is increasingly held hostage to radical cultural politics--feminism, cultural studies, postcolonial studies, the whole arsenal of academic antihumanism. To brand his betoken, he describes how eight famous works of art (reprinted hither equally illustrations) have been made over to fit a radical ideological fantasy. Kimball then performs a series of intellectual rescue operations, explaining how these great works should exist understood through a series of illuminating readings in which art, not politics, guides the discussion.
"The Rape of the Masters" exposes the charlatanry that fuels much bookish art history and leaks into the art world generally, affecting galleries, museums and catalogues. It also provides an engaging antidote to the tendentious, politically motivated assaults on our treasured sources of culture and culture.
Roger Kimball (1953-) is a conservative U.S art critic, essayist, and social commentator. --http://en.wikipedia.org/wiki/Roger_Kimball [May 2006]
See Kimball's negative review of John Carey'south 1992 The Intellectuals and the Masses.
Meet also: fine art - art theory - political correctness
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Source: https://jahsonic.com/PC.html
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